Friday, February 26, 2010
Italian Vogue Launches Vogue Black and Vogue Curvy
Vogue Black appears to be devoted to black talent in fashion. Today's top story is a video interview with Tyra Banks — in English. Tyra appeared in Italian Vogue's all-black issue. On Vogue Black she talks about how her run as a talk-show host is coming to an end, and reminisces about some of her most brilliant journalistic moments. Such as the time Hillary Clinton stopped by.
"I asked Hillary Clinton how she feels about herself when she looks in the mirror, like, when her clothes are off and when she looks in the mirror. And everyone’s saying, 'Oh my god I can’t believe you asked her that. oh my God.' But I felt so comfortable with her, I felt like she was just a girlfriend at home, so I asked her those questions. I didn’t know I was pushing the envelope by asking her things like that."
Moving on: Vogue Curvy is devoted to ... women with figures. That section leads with a video interview with Crystal Renn, who talks about how amazing life became when she decided to stop starving herself and eat salad with salmon and walnuts on it. (Since when is salmon a skinny person no-no? Modeling must be rough.)
Lastly, Vogue Talents seems to be all about up-and-coming fashion talents. However, it currently leads with a story on Rodarte, a label that is hardly up-and-coming at this point.
We were reasonably amused perusing Italian Vogue's new Internet collective, but why must curvy women, women of color, and burgeoning design talent be viewed in separate channels? Is it not possible to have a fashion magazine that embraces women of all sizes and colors who wear young and established labels? Italian Vogue seems to think not.
Critics Covet Burberry’s Coats; Pout Over Saunders’s Subdued Prints
Read the rest of the reactions from London.
Burberry Prorsum
The critics lusted after Christopher Bailey's aviator-inspired coats. Suzy Menkes of the International Herald Tribune called it "good strong stuff," with clothes that looked "young, easy, and desirable." WWD admired a "Swinging London attitude," as models strutted down the runway with "sexiness and nonchalance." Style.com praised Bailey's creative plays on volume, declaring that he "nailed it from the point of view of proportion — oversize and cropped — and practicality." British Vogue similarly swooned over the collection's "hugely covetable pieces," and added that the lace minidresses "cleverly lightened" the heaviness of the sheepskin coats. On that point, Cathy Horyn of the Times disagreed, asserting that "the underpinnings ... while good-looking in parts ... seemed designed less to seduce than to serve the military jackets." But no matter — the outerwear was "especially strong." Style.com summed up the general opinion best: "Every single one of his giant-collared shearlings, military-drab overcoats and parkas ... was utterly desirable."
Jonathan Saunders
The critics disagreed on the success of Jonathan Saunders's muted fall collection. The designer "went back to his roots in textiles, with big graphic prints," noted The Wall Street Journal, deeming the effect "modern, sporty, and stark." WWD called it a "fresh and youthful collection," one that "let the artsy details do the talking," like hand-painted prints. (Meanwhile, The Wall Street Journal admired the bustier tops, which added "a subversive sexiness.") And though British Vogue asserted that the collection was "delicate in mood but it had a strong attitude," other critics were left wanting more. "[T]his master of print took a timid approach," noted Suzy Menkes of the International Herald Tribune, resulting in a collection that "missed the 'oomph!' that has come in the past." Likewise, Style.com mourned his subdued color palette. "[W]hat had become of the long dresses printed in vibrant colors Saunders used to do so well?" it asked. While many felt the geographic prints were fresh and modern, others came to Style.com's conclusion: "[I]t was a disappointment that he passed up the chance to further develop a look he's so good at."
Christopher Kane
Christopher Kane's vivid leather-and-lace collection earned tentatively positive reviews. The contrast of floral embroidery and black leather panels was deemed "prim and perverted," and "sweetly subversive." British Vogue asserted that the dresses "will be recognised as iconic keystones in his creative journey," and the International Herald Tribune thought the show "looked like an instant hit for London's High Street stores." WWD preferred the pieces with a lighter touch to some of the more heavily embroidered dresses, but it called the overall collection "an ultra-focused outing that saw the designer's vision evolve." That narrow focus was a disappointment for some. "Kane needs to be mindful not to get trapped in his own short-and-sexy formula," cautioned Style.com. And though British Vogue found the conceit "undoubtedly impressive," it "left [them] somehow wanting to see something else too." Still, in the end, "this was a show to savor for its outward prettiness," Menkes concluded. British Vogue concurred: "[T]here could hardly have been a woman in the room who isn't now fantasising about being the first to be seen in one of these."
Loose Threads
• Ke$ha wore a zebra jumpsuit to Vivienne Westwood's after-party at Bungalow 8 in London last night.
• Both Carla Bruni and Madonna's 4-year-old daughter, Mercy James, wore the Stella McCartney for Gap jacket. Who wore it better?
• Róisín Murphy collaborated with Linda Farrow Vintage to create a limited-edition pair of sunglasses.
Naomi Campbell Wearing McQueen ‘Almost Nonstop’
According to British Elle, Naomi Campbell has been wearing pieces by Alexander McQueen "almost nonstop since he died." She's been wearing pieces from his spring collection "at most fashion events," as well. Since McQueen's death, Campbell has staged two fashion shows to benefit Haiti, one in New York and one in London, ending with a finale of pieces from McQueen's spring collection. These pieces were probably samples. The pieces Campbell has been wearing to events are probably samples, too, though it's possible she purchased them. Following the designer's death, all samples were urgently recalled to protect his legacy. Campbell evidently held on to some for her fashion shows, and perhaps for herself personally. It's nice that she's trying to pay homage to him and wear things that remind the world of how great he was, but at what point does it become about her more so than him?
Thursday, February 18, 2010
The End of an Era
Hilfiger's fall 2010 collection was to be the last presented in the tents, which hold most of the dozens of previews put on by top designers. The semiannual event moves from the park near Times Square to a plaza within Lincoln Center in September.
"It's the end of an era. The tents have been a great experience," Hilfiger said in WWD Wednesday. "It's an honor to close fashion week, but it's bittersweet."
Bryant Park was close enough to the garment district that designers could be seen wheeling racks of clothes to the tents. But Mayor Michael Bloomberg maintained that Fashion Week had outgrown the tents, and the garment district also changed from its manufacturing heyday, with banks, fast-food restaurants and chain retailers moving in as factories moved out, primarily to Asia.
It takes some three weeks to set up, stage and clean up after the star-studded invitation-only shows. More than 100,000 people have come through the tents this week for eight days of previews, events the city estimates generate $466 million in visitor spending a year.
Hilfiger said he planned to give a nod at his show to everyone who had made Bryant Park what it was. But he conceded that Lincoln Center might be a better place to show off his designs.
Isaac Mizrahi Fall 2010
Despite the recession, Isaac Mizrahi has had a good year. He made a deal with QVC to have his own show, called “Isaac Mizrahi Live,” in which he sells everything from cheesecakes to clothes and pontificates on pop culture, life and his favorite things. He also opened his first store in Manhattan, showcasing his high-end designs.
For his Fall 2010 collection, Mr. Mizrahi feted American style with a collection called “Central Park Story Book” that, according to the show notes, was “sort of Avedon meets Avatar. Where the glitter foxes, diamond crocodiles and sequin sting rays roam freely.”
Mr. Mizrahi’s collection was shown in five separate vignettes with clever names like “Parka Avenue,” “Society Samurai” (inspired by the Samurai exhibition at the Metropolitan Museum of Art), and “Fish & Wildlife,” which featured a shift dress adorned with crystals that resembled crocodile skin.
A backdrop of a New York City skyline, sheer screens printed with leaves, fake snow flurries and a live band completed the picture. Models walked down the runway, designed to look like a concrete sidewalk, in bright fur coats, a bias-cut ball gown printed with skyscrapers and a pink sequined cocktail dress called “Pinkberry”—no doubt a reference to the frozen yogurt chain that has invaded Manhattan.
Ralph Lauren Fall 2010
This was vintage Lauren, both in the finesse of his work and in the dark romance of the Edwardian era, which brought puffed shoulders on taut velvet jackets as well as the dark flowers. They closed a show where the evening wear had moved deftly away from red carpet shine and glitter.
Mr. Lauren’s skill is to make even the predictable seem fresh and also to add a discreet sexual vibe to male/female combinations. Jodhpurs curved to the waist and velvet vests were snug. The outerwear was plentiful, strong and mannish: herringbone wool, Shetland and Donegal tweeds.
When coats were worn with long chiffon skirts, there was a hint of the designer’s favorite prairie dresses come to town. Make that “downtown,” for this collection shed patrician style for something more cool — as in a leather satchel hitched across a green velvet gown. And throughout there was a juxtaposition of velvet in jewel colors of garnet, amethyst and emerald.
After last season’s program notes were criticized for referring to the Great Depression, there were no words of explanation — except for references to New York’s Lower East Side street names like Ludlow and Rivington, mingled with the Marais district of Paris and Bloomsbury in London. Bohemia may be only a figment of Mr. Lauren’s fashion imagination, but he made it sweet and compelling.
Five Things I Liked On Wednesday
2. Oscar de la Renta's oatmeal belted coat with fur trim at the collar worn with a taupe wool trouser. It's a classic look, and who better to do fur than Oscar?
3. Phillip Lim's light brown short shearling jacket over a gray side-slit dress. One of the great coats and jackets from Lim, in keeping with the season's warmer palette. Phillip’s mixed materials on his coats are standouts.
4. The slouchy beaver and knit vest worn with oversize oatmeal cashmere crew-neck sweater and navy tuxedo pant at Reed Krakoff. His debut clothing collection was full of great American sportswear pieces updated for the "cool" girl.
5. It's a fur day, it's a fur week. The pine green fox cardigan paired with a short black wool skirt at Proenza Schouler. In a season of lots of furs and skins, it's great to see the Proenza boys adding a needed dose of color to the mix.
Wednesday, February 17, 2010
Fashion Week Fall 2010 Mid-Week Report
At the risk of turning a fashion story into a Sidney Poitier movie, I’ll hold off on what I’ve learned for a moment and begin by answering the question I’ll hear when I return to Boston after these twice-yearly fashion endurance tests: “So, what’s the big trend for this year?’’
This is a particularly challenging question to answer, because, unfortunately, designers do not meet to decide on a big trend before fashion week. Instead, fashion writers and buyers watch hundreds of fashion shows in a single week. The things that they recall after this assault of frocks are usually declared the trends for the season.
A few other fashion editors who were swilling champagne with me explained that they don't believe in trends, but instead thinks of fashion as a big pool, where everyone contributes ideas and multiple trends live side-by-side. It’s about self-expression, and there is a huge range, not just one or two must-have pieces.
But since the question comes up so often, I will answer the “What’s the big trend for fall/winter 2010’’ question the best I can. At this point, it looks like the influence of menswear is emerging as a big trend for fall. Multiple designers, from Alexander Wang to Rag & Bone, have incorporated men’s tailoring and suiting material into their collections. Don’t worry ladies, you won’t have to dress like Grace Jones or Annie Lennox circa 1984. The looks are still quite feminine. Even Diane von Furstenberg, queen of the wrap dress, wrote: “I’ve always wanted to live a man’s life in a woman’s body’’ to describe her collection as “the essence of masculine and feminine.’’
After 10 seasons covering New York Fashion Week, I’ve learned that no matter how often People for the Ethical Treatment of Animals protest outside the tents at Bryant Park, every year designers will still incorporate fur into their collections. This week, Marc Jacobs, Thakoon, Carolina Herrera, and a handful of other designers used fur in abundance. It was like a barnyard with goat, mink, fox, beaver, raccoon, and even muskrat seen on the catwalk. (Just don’t tell Captain & Tennille about that last one.)
And if designers don’t break out the fur, then chances are that Vogue’s André Leon Talley will drape a pelt over his shoulder and stroll around the tents like a couture Fred Flintstone.
Michael Kors Fall 2010
Five Things I Liked On Tuesday
1. Sophie Theallet's shearling wrap coat, with the mauve wool skirt — it's the right color for the season and has the skins for fall. Very wearable. 2. The four bridal gowns at the end of Rodarte. The Mulleavys have grown up: more femme, a little less goth and Mad Max. We feel a bridal collection! 3. The sheer black ruched turtleneck worn with black pants at The Row. Great basics; very evolved and chic. Cool classics. 4. At Vera Wang, the gray Mongolian wool tunic over black pants, with long black gloves. 5. Narciso Rodriguez's fitted and seamed black coat. Cool skins are in the air, and this one has Narciso's razor-sharp precision to push it over the top.
Monday, February 15, 2010
Monique Lhuillier Fall 2010
Monique Lhuillier, the Filipina designer known for her romantic wedding gowns, is in a fighting spirit for fall. The collection she showed Monday in Bryant Park was inspired by “Chinese warrior and military suits,” according to her show notes. The goal: “Strong silhouettes with a tough, chic edge.” The harder edge is understandable. Haven’t we all donned somewhat of a thicker skin in these times? Lhuillier’s runway show began with deep reds and purples in heavy, rich fabrics, including a lacquered matelassé dress and a crimson jacquard coat. Her tougher pieces, such as the jackets with structured shoulders, were paired with short skirts to create what she called a soldier effect. The models wore bright red lipstick and wore their hair slicked back severely into braids on top of their heads. Day turned to evening quickly and brought about hints of softness. Lhuillier, a Hollywood favorite, showed several red-carpet-appropriate looks, including her plum chiffon dress with an asymmetric neckline and gold detailing, as well as a navy chiffon halter gown with braided accents. One of the final looks was a strapless scarlet dress that was fitted tightly from the bust to the thighs then opened up to a train of rosettes. Perhaps a hint of optimism at the end?
Tracy Reese Fall 2010
There are a few shows every fashion week where the crowd’s affection for the designer is palpable in the room. Tracy Reese’s shows are often packed with her family and friends, who cheer her on, present her with flowers and after the show, laud her latest work. The newest collection opened with One Way’s slinky R&B song “Cutie Pie” as models sauntered down the runway in a melange of textures. Sweet lace dresses were topped with fluffy scarves that mirrored the models’ softly teased hair. Sweaters with faux fur sleeves worn over studded blouses ended in fingerless opera gloves. Tweed sweaters were paired with suede skirts. The overall effect was a downtown girl’s twist on proper uptown preppy dress codes, with just the right amount of skin on display. “[The collection] was really trying to juxtapose the feminine and the masculine, or the soft and the edgy,” Ms. Reese said after the show. “You want some comfort, and so there’s a lot of textures, soft fabrics and cozy things.” Layers offer protection from the elements but also add beauty and dimension, she said. She suggested mixing party dresses with scarves: Women could tie them on as shawls or wear them draped and belted over as a vest, she said. “It makes the outfits more interesting,” she said.
Carlos Miele Fall 2010
Zac Posen Fall 2010
It's the real world and now Zac Posen is living in it. The first model on his runway Monday morning in a small Chelsea venue wore a fully wearable, thoroughly sophisticated, portrait-neck cape in camel-coloured felt, smart trousers and a creamy silk blouse. In fact, the former flashy showman, who has recently chronicled in the press his struggles to lead a viable business, turned out a mostly understated, chic collection. It might not be full of head-turners, but the clothes aren't as polarizing as, say, his tornado-inspired gowns a few seasons ago. As wild as it got here were some copper metallics, pink-dot prints and magenta-coloured fur. The magenta was a refreshing break from the largely neutral palette that has been dominating this round of previews for stylists, editors and retailers. One of the best looks of Posen's was a longer-length magenta velvet jacket with grosgrain trim, a black silk blouse and a short, magenta godet skirt that gave just a little lift to the silhouette. Posen also recently participated in a panel discussion about too-thin models. The designer maintained the problem wasn't so much the weight of the catwalkers as it was their young age. He made a commitment to seek out older models - by industry standards that means 18, maybe even 16 - and he seemed to stick by it, hiring veterans Alek Wek, Hana Soukupova, Sessilee Lopez and Coco Rocha.
Sunday, February 14, 2010
Juan Carlos Obando Fall 2010
This collection, his fifth, was focused, minimal and graphic. There was a simple palette of off-whites, olive (one of the weeks biggest colors), camel, black and grey. There was a utilitarian quality to the day wear (in that Pheobe Philo Celine-vein, we are seeing everywhere) -- with skinny hip-cut pants, angled jackets, sleeveless shells, self-belted coats, and shift dresses. And for evening there were gorgeous flowing silk gowns -- banded in an art director's favorite colors, black and white.
His top looks included a stone grey razor suit, black and white lace-up "boot-extensions" and lace-up boots; Brown wax-cotton top and olive hip cut wool slim trousers; Camel belted shirt dress; Long sleeve petal cashmere belted dress; Washed silk cloud grey and black banded top flowing gown.
Obanda named the collection "La Poderosa Redux" (translation, the potent one). The designer cites his inspiration as technique and "Today's woman. Her form. The way she moves."
Luca Luca Fall 2010
Lela Rose Fall 2010
Her top look were cropped pleat-front trousers worn with a silk top, black and white "constellation dot" jacket and rock embroidered bib necklace, cobalt blue brocade-sleeved dress with twist front detail, cinched waist navy dress heavily embellished with "moon rocks" and in a slightly wilted fabric.
Friday, February 12, 2010
Christian Siriano Fall 2010
The tone was set for the rest of the show: sharp femininity. There were black silk cocktail dresses with asymmetrical petal-like draping and body-skimming LBDs with ruffles falling from the shoulders.
What started out to seem like an all-black show finally gave way to navy blue. A sparkle-metallic collared neckpiece gave way to a dress in two-toned blue chiffon. The juxtaposition lent visual interest, but the rest of the dress could have used more structure.
Then, fuschia. A surprise color both for Siriano and for fall. Fuschia silk gathered at one shoulder, cinched with black at the waist, then draped out over a thigh-skimming navy skirt proved to be on of the most inventive creations.
The final number was a strapless silk top gave way to a voluminous skirt of fuschia chiffon ruffles at the waist. Quite literally, thanks to a wobble on the model’s part, it was a showstopper.
Siriano’s take-home message for fall – ruffles and unexpected color.
Jason Wu Fall 2010
Wu showed jewel-coloured cocktail dresses, hand-painted in gold, and extravagant ball-gowns, embellished with peacock and ostrich feathers or printed with dandelion and foxglove patterns.
Wu based his delicate, feminine collection on the ixonic 1950's fashion photographs of Irving Penn. His daywear, slouchy and man-tailored, in heather and charcoal shades, was inspired by the photographer's own wardrobe.
The 26 year old designer was catapulted to overnight fame last year when Mrs Obama chose his white, ruffled evening gown for the Inaugural Balls.
Fashion Week this season is continuing in subdued mode as the international fashion community tries to come to terms with the tragic death of the British designer, Alexander McQueen.
Tent Life
As the home of New York Fashion Week, Bryant Park is, to much of the world, synonymous with fashion. That is a fitting distinction since its wide-open lawn is also commonly referred to on Seventh Avenue, where famous designers like Donna Karan, Oscar de la Renta and Carolina Herrera have their offices, as the backyard of the garment district. So when the New York catwalks were centralized under a big tent there in 1993, it made a poignant narrative to show the clothes just a couple of blocks from where they were being created.
Sure, there were plenty of people then, as there are now, who thought it was perfectly appalling that a bunch of fashion designers should be allowed to take over just about the only patch of open green space in Midtown for their invitation-only affair. It may not have been obvious why fashion mattered to the thousands of tourists and commuters who walked by each day, irritated by the traffic, excited by the celebrities, bemused by the outfits.
But now, after a prolonged dispute between the designers and the park management, the Fashion Week that begins in Bryant Park today will be the last, before the event moves to Lincoln Center in the fall.
It's entrance, on Avenue of the Americas at 41st Street, is printed with dozens of quotations from designers, editors and publicists, all expressing the belief that showing collectively in Bryant Park is what made New York City a global fashion capital. One from Anna Wintour, the editor of Vogue, hangs over the front door: “Bryant Park became the beacon of what New York fashion stands for — an industry that’s fearless, tireless and always moving forward.”
And yet few have missed the symbolism that this move away from Bryant Park is happening at a moment when the garment district, from 34th to 40th Streets between Broadway and Ninth Avenue, is in a profound state of decline.
Manufacturers who made their homes there selling buttons, trims, fabrics and threads, making samples, producing dresses and suits in factories along the side streets, have been disappearing at an alarming rate over the last decade. Most of the production of clothes moved to cheaper factories overseas long ago. The recession, and pressure from landlords who want to convert factory buildings into luxury apartments, hotels and office space, has caused more of them to flee the district.
And now go the tents, the most visible image of the work that still goes on in the neighborhood.
“I love the fact that Bryant Park was where they chose to do the shows because I love the garment center,” says,Caroline Steffe, a small local designer. “And to this day, we still wheel the racks to the show ourselves.”
Although it was once the largest source of manufacturing jobs in the city (representing more than 200,000 workers in the 1970s), there was little respect then for New York fashion in the rest of the world. Apart from a handful of major brands, very few New York designers had been exposed to an international audience, and hardly any had stores overseas.
That is, not until the designers decided to show their collections together in a central location, as a major media event, as their counterparts in Paris and Milan had done for decades. Their first season, in which virtually every major designer showed in the park, drew coverage from CNN, CBS, NBC, the BBC, VH-1 and MTV. Now organizers of Fashion Week typically receive 3,000 requests for media credentials each season.
The catalyst for banding together was a Michael Kors show, in 1991, in a raw Chelsea loft, when the booming music caused the walls to shake and a big chunk of the ceiling to fall onto the runway, clipping Suzy Menkes, the fashion editor of the International Herald Tribune, on her well-regarded head. She made only brief mention of the incident in her review. But, angered that no one seemed to take it very seriously, she slammed the chaotic disorganization of the New York shows in comments to Women’s Wear Daily.
“She called us second-raters,” Mr. Herman said, President of the Council of Fashion Designers of America. “Everybody looked at each other and said, ‘We’ve really got to do something about this.’ She was one of the few editors from Europe who came to America.”
Persuading the designers to show in one place, however, was as much of a challenge as securing the use of the park, a task that fell to Fern Mallis, who was then the executive director of the council and the person widely credited with conceiving the event. She described a meeting at which several young but reluctant designers kept asking whether Calvin Klein had agreed to show there. Mr. Klein happened to be in the room and announced his support.
As the event grew larger, from 42 shows under 2 tents and inside the New York Public Library in 1993 to more than 65 in 3 tents this season (hundreds more designers show independently), corporate sponsorship took on more prominence. Sponsors like Mercedes-Benz, Olympus, General Motors, M.A.C., Evian, Fiji, Dunkin’ Donuts, McDonald’s, Delta, the Bermuda Department of Tourism and Kohler, the toilet maker, paid handsomely to feature their products and messages in the limelight of Fashion Week. In 2001, the fashion council sold its runway operations to IMG, the global marketing company. That, in turn, led to sniping that Fashion Week had come to resemble a trade show, or a car dealership. Many of New York’s marquee designers now show their collections elsewhere.
The complaints may be somewhat unfair. What is not often noted is how closely the explosion of marketing noise around Fashion Week mirrored the increasing globalization and corporate slickness of fashion itself over the last two decades. Without a lot of money and marketing behind them, it is harder for new designers to construct and produce a small collection on their own.
Can Lincoln Center, already associated with so many things besides fashion, ever give fashion designers the same sense of belonging as did Bryant Park? It bothers many of them no end that their craft is perceived a lesser (if not the least) form of art, that the costume galleries at the Metropolitan Museum of Art are in the basement, or that an appreciation of style is often remarked upon as a liability to politicians, athletes and intellectuals.
Designers are making the best of it.
“When you think of Lincoln Center, you think of the arts, the music, the dance and the opera, so I think being there will elevate and celebrate fashion as an art,” said Donna Karan, who happened to be the very first designer to have a runway show in Bryant Park when the tents opened on Halloween in 1993. Many of her peers, in interviews and in the comments plastered on the front of the tents, repeated the belief that Lincoln Center will legitimize them, not just as designers, but as artists.
Not one of them mentioned that the new location is home to another seasonal event that takes place under a big tent, one that is perhaps an even more apt metaphor for Fashion Week.
That is, of course, the Big Apple Circus.
Chado Ralph Rucci Fall 2010
The monied ambiance was intimate and chummy; a lot of guests knew each other, swapping air kisses and trading compliments. The invitation had requested evening attire, and New York’s doyennes did not disappoint. There were many delicate high heels in the front row, despite snow slush clinging to Soho’s sidewalks just outside the door.
Whoopi Goldberg nestled next to Vogue’s Andre Leon Talley to watch her first Chado Ralph Rucci show. “The details were stunning on those pieces,” Ms. Goldberg said. “It made me want to lose 70, 80 pounds and get really high heels to wear.” She gushed over a gown with feathered detailing: “It was just stunning.”
Longtime fan Martha Stewart concurred. “His use of materials is so amazing,” she said. “Some of the fabrics I hadn’t seen before. So extraordinary.” Patti Smith and Fran Lebowitz also sat in the front row.
The collection, which Mr. Rucci said had no theme because all his collections form an evolving body of work, featured delicately feathered dresses (which are not only placed by hand, but sorted one feather at a time), chic revealing jackets with tulle panels and sweeping dramatic opera coats. The audience broke into scattered applause over individual looks, and stood to give the designer an ovation when he took his bow.
“I finally figured out that we surpassed last season and that’s always a great feeling of accomplishment for me,” Ralph Rucci said in an interview two weeks before the runway show. “You’re looking at a body of work that is charged with so much references, especially in the techniques that my crew and I have developed. It affects you on a visceral emotional level.”
Thursday, February 11, 2010
McQueen's Last Tweets
im here with my girl annie tinkerbell wishing kerry the slag, happy birthday in NY, your 40 now girl time to slow it down we think.
McQueen was known for dark, gothic themes in his runway shows. Indeed, the skull was one of his most recognizable motifs. He was thought to have been extremely distraught following the death of his mother just last week on February 2.
On February 3 at 11:46, he tweeted:
i’m letting my followers know the my mother passed away yesterday if it she had not me nor would you RIP mumxxxxxxxxxxxxxxxxxxxxxxxxxxx
And then at 11:47:
but life must go on!!!!!!!!!!!!!!!
Tweets leading up to his mother's death were disturbing. January 28 at 10:01 a.m. he posted:
Hells Angels + Prolific Demons……
February 1, 10:46 a.m.:
from heaven to hell and back again, life is a funny thing. beauty can come from the most strangest of places even the most disgusting places
February 1, 10:52 a.m.:
why people ignore the ugly things in life but within this they are missing the beauty that lies under the rotten fruit!!!!!!!!!!!!
February 3, 2:21 p.m.:
La reine Margot
February 7, 12:38 p.m.:
sunday evening been a fucking awful week but my friends have been great but now i have to some how pull myself together and finish with the
February 7, 12:40 p.m.:
HELLS ANGLES & PROLIFIC DEAMONS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
McQueen's family said in a statement, "At this stage it is inappropriate to comment on this tragic news beyond saying that we are devastated."
According to Sky News, the designer was reportedly found hanged in his London apartment and police were called at 10:20 this morning. Police are not treating his death as suspicious.
Blogger Power
The incredibly smart and funny Tina Fey (in Prada Spring/Summer 2010) is on the cover of American Vogue's March 2010/Power issue.
The Power Issue is Vogue's second biggest issue of the year after September.
Sounds like an action-packed issue with feature stories on: 9 visionary designers, influential front-row bloggers, models who are muses in real life... and more! Never in my life I thought I'd see the word "blog" on its pages (which we all have seen already, btw) and now, "bloggers" on the cover of American Vogue? Totally amazing!
Speaking of front-row bloggers, I'm dying to know who they are. They must be in cloud nine right now with the incredible nod from THE bible. I'm buying 20 copies when this issue hits the newstands simply because of the blogger story. This is what we live for!
Hey -- don't point fingers at me -- it's a mixed bag this season. Although I received several front row seats, I scored 7th row at Phillip Lim, 7th row at Narcisco Rodriguez and *I HEAR A COLLECTIVE GASP, I KID, I KID* standing at Derek Lam. It's all perfectly fine and ok; I'm just happy to be there to see the clothes! Not gonna throw a big song and dance number on my part as a) you can see the photos online within hours from getty or b) I could always make an appointment after the show to see them in real life at the showrooms.
I guess we'll have to wait for the issue to come out in the next week or two eh? I'm very excited!
Alexander McQueen 1969-2010
Though he apprenticed on Savile Row, Mr. McQueen, thumbed his nose at the conventions of English style by staging lavish runway productions that included clothes made with animal bones and models made to look as if they were patients in a mental ward or participants in a life-sized chess match. Yet he was a tailor of the highest order, making impeccably shaped suits that were also surprisingly commercial.
Mr. McQueen’s troubled personal life was often the subject of concern among his colleagues and close friends. He was deeply affected when Isabella Blow, the eccentric stylist who discovered and championed him, committed suicide in 2007, and he was said to be devastated by the death of his mother on Feb. 2.
As news of Mr. McQueen's death rippled through the tents of Bryant Park, where the fashion world was gathered Thursday on the first day of the New York collections, there was shock at the loss of a designer of outsize talents, perhaps even genius.
"McQueen was probably the best woman's tailor in the world,'' said Steven Cox, one of two designers of the Duckie Brown label. He was also, "a working-class bloke,'' Mr. Cox said, and one whose renegade instinct manifested itself early on, when he stitched an antiroyalist imprecation into a suit sewn for the Prince of Wales.
"Show after show after show, he amazed us all,'' Mr. Cox said. "You think about him and you think, I am not worthy."
For the hairdresser Eugene Souleiman, who had worked with Mr. McQueen from the earliest days of his career, he was a designer driven by instinct, emotionally fickle and so single-minded in pursuit of his vision that he routinely conducted five preliminary fittings for every fashion show, where most designers settle for one.
"You'd get together with Lee for the first fitting and you'd discuss everything and settle everything, his ideas for the collection,'' said Mr. Souleiman, referring to the designer by his nickname. "You'd go up for the next fitting and find the whole collection had changed.''
Mr. McQueen was the youngest of six children and the son of a London taxi driver, who survives him. He left school at 16 to apprentice at Anderson & Sheppard and then Gieves & Hawkes, two of the most revered English tailors. He worked briefly in Italy before returning to London to pursue a master’s degree from the Central St. Martins design college, where Ms. Blow discovered his work and bought his entire thesis collection. His first shows in London, in dark underground places, were received as a break from the traditional luxury collections being shown elsewhere in Europe.
For five years, until 2001, he also was the designer of the couture label Givenchy, where he turned the classic French house on its head, often drawing the ire of longtime fans of a label known for its elegant black dresses. He offended several French journalists by calling Hubert de Givenchy’s past work “irrelevant.” That year, he sold his own label to the Gucci Group — a rival of Givenchy’s parent company, LVMH — following several conflicts with his label’s management.
During Mr. McQueen’s early days in London, his collections often made audiences uncomfortable, as when he referenced the ravaging of Scotland by England by showing brutalized women in a collection called “Highland Rape.” But since he began showing his collections in Paris in 2001, he became more widely respected for designs that were seen as commentary on the often surreal, and self-referential, world of fashion.
Tuesday, February 9, 2010
Kellan Lutz behind the scenes of Calvin Klein photoshoot
Calvin Klein's behind-the-scenes look at Twilight star Kellan Lutz's Calvin Klein Underwear shoot confirms the label is trying to turn him into the next Mark Wahlberg. Shot in the style of Mark's vintage Calvin Klein commercial but partly in color, Lutz talks about how hot he is. He says his fans always ask him when he's going to be topless onscreen, so he's glad to give them the opportunity to "go crazy" now. He also explains how he stays in shape: "I’m a fish, I love to swim." And he spends a lot of time walking around, posing, and stretching in nothing but his little manties. And unlike his new ad campaign, there are no red Xs here to obscure his abs.
Andre News
“Her reaction,” said Talley, “was, ‘Fine, André. Just let me know when you’re going to do it and how it’s going.’” (Reached for comment, Wintour said through her spokesman, “André is always onto new things on television, and I think his latest adventure sounds like a lot of fun and I look forward to watching him on the program.”)
Talley believes the winner is a Vogue-quality model, but could not confirm she would appear in the magazine. "That’s not my decision, that’s Ms. Wintour’s," he told WWD. Tyra Banks tried to get Talley on the show before it even started. They had lunch, discussed Tyra and the reality show she planned to start, and then probably talked about Tyra some more. Talley said no because he didn't know if the show would succeed or how it would turn out. But after thirteen seasons, Talley believed he could bring something different to the program. And that doesn't stop at the thirteen Chado Ralph Rucci graduation robes Talley had custom made, and which ought to be worth tuning in for alone, Tyra's crazy aside.
“I went to Ralph Rucci when I started this thing,” Talley said. “We came up with these wonderful designs that are based on 17th-century Edo samurai tunic-coats. And Ralph, who is extraordinarily gifted, understood my desire to have something that would pop on TV.”
So Talley is finally bringing to this program what it has lacked in the entirety of its thirteen-season history: high fashion. Also, eyes that not only judge a bulging abdomen or a stumpy neck or thin frog lips or a horribly obnoxious personality, but the clothes people wear. Even Tyra Banks felt intimidated.
“This is the most clean you will ever see me in the history of ‘Top Model,’” she said. “I am wearing a chignon every single day. I went back to Yves Saint Laurent 1991, honey. I said, ‘This is André Leon Talley! No earrings, no nothing. Just me and the gahhment.’”
Talley said he took his role as a reality star "very seriously." And no such role is complete without a catchphrase. His is "dreckitude":
... a melding of dreck, one of his “favorite” words, and “quackitude,” a term he’d heard on Rachel Maddow use on her show. “‘Dreckitude’ was whipped out when I thought the challenge was not met or if [the contestants] showed up in perhaps an outfit that I just couldn’t wrap my mind around,” he explained. Such as? “I was constantly repulsed by the complete popularity of what I call the Cult of the Ugly Shoe — that is, a very clodhopper, high platform-y, clunky-clunk sort of shoe, which they would favor. And I kept saying to them, ‘You can also be very elegant in a Sabrina flat.’”
Such wise words. But perhaps a little too wise. What are the chances that the America's Next Top Model contestants know what dreck means? Or understand the quirky intellect of a late-night cable-television news host? Do they even grasp the meaning of cult? Smize has gone global. Dreckitude might not even catch on. But this is only Talley's first season. We can't expect him to craft made-up words worthy of their own superheroes just yet.
Loose Threads
• The Bartel family bought a stake in Devi Kroell. This is the same family that bought a 12.5 percent stake in Lanvin in November.
• Gary Graham and Ohne Titel designed items for the Google store, inspired by the Internet company, which went on sale Friday. A knit scarf by Ohne Titel is $300, and a T-shirt by Gary Graham is $85.
• Nathalie Love, daughter of Teen Vogue's West Coast editor, Lisa Love, stars in the commercial for Olsenboye, Mary-Kate and Ashley Olsen's JCPenney line.
• Speaking of Olsenboye, Mary-Kate says, “When I was younger, I went to Penney’s with my mom.” She also visited the store before designing Olsenboye. “We saw what was missing. We had these guys in mind from the beginning.”
• Katie Couric to Harper's Bazaar on her closet full of blacks, grays, and pinstripes: "I always say it's very Faye Dunaway 'don't fuck with me, fellas!' from Mommie Dearest."
• Benetton is holding a model-search contest to find twenty new faces for its fall 2010 ad campaign. Aspiring models can register online.
• Joan Collins is the face of Alexis Bittar's spring jewelry campaign. Perhaps you've seen the posters plastered around the city.
• Photographer and blogger Todd Selby shot the new ad campaign for Cole Haan.
Sunday, February 7, 2010
Loose Threads
• Yvan Mispelaere will join Diane Von Furstenberg as creative director on April 1. He replaces Nathan Jenden, who will leave the company after the fall 2010 fashion show to focus on his own label. Mispelaere previously held positions at Gucci and Chloe.
• Nathalie Rykiel says she decided to pair with H&M for a one-off Sonia Rykiel line because "They copy me all the time! Finally I said, 'Look, if you want your girls to wear Sonia Rykiel from H&M, let's let them have the real thing!'"
• The Daily Mail calls the costume Rihanna wore to perform in the pre–Super Bowl concert in Miami "peculiar."
• Donna Karan is throwing a benefit for Haiti on Monday, February 8, headlined by Mary J. Blige with an after-party at the Standard.
Sandra Bullock Generates More Sales From Red-Carpet Appearances Than Fellow Oscar Nominees
So you would think labels would be angling to dress Bullock for the Oscars. They probably are, but she might not be as hot a commodity as Carey Mulligan, whose red-carpet style fashion people adore. Yet Mulligan doesn't motivate sales, according to StyleSpot. Bullock may not have the best red carpet fashion sense (she may have skinned and waxed Barney for her Golden Globes gown), but she's relatable on top of being pretty, and this is what matters to the masses. It seems that if you can you hold up an InStyle cover, you can probably generate sales. Case in point: A lot of people tried to buy the spring 2010 Burberry shoes Jessica Alba wore to the People's Choice Awards (they couldn't because they're not available yet, so they bought similar styles, which kind of screwed Burberry, but then again not, because the label is rolling in it anyway). Kate Hudson, Drew Barrymore, and Penélope Cruz are also top sellers, according to StyleSpot.com.
Vogue's Hamish Bowles posits that Meryl Streep will be a top generator of sales after the Oscars, as could be Gabourey Sidibe.
Ms. Sidibe, the star of "Precious," is "an alternate paradigm for the red carpet, but she can carry these very strong colors," says Mr. Bowles. What's more, the plus-sized market is one of fashion's fastest growing.
Meanwhile Woody Harrelson, a Best Supporting Actor nominee, could generate the most click-throughs for menswear. Fine. But he better not wear one of those hats he always wears and continue to fool men everywhere into believing they should do that, too.
Rihanna Paid More Than Beyonce
Naomi Campbell Will Let You Come to Her Fashion Show
The show, which is also scheduled to walk in London, will feature looks from designers that she personally solicited, which will then be sold on Net-a-Porter.com starting next month. Celebrities are also expected to attend and model in the show. But here's the thing: It's not for fashion people. You can see it for yourself! Now that the Tents are basically open to anyone, from QVC to Jersey Shore crashers, why not open it to the public, too? At least this is for a great cause. Tickets for the show range from $100 to $150 and go on sale starting today for American Express cardholders through Ticketmaster.com. Proceeds, which are expected to reach $100,000, will be donated to Fashion for Relief.
Thursday, February 4, 2010
Calvin Klein Obscured Kellan Lutz and Mehcad Brooks’s Abs in Their New Underwear Ads
Here you see Japanese soccer star Hidetoshi Nakata, who sits front-row at fashion shows and is also known as the Asian David Beckham. The other athlete in the ads is Spanish tennis star Fernando Verdasco, both of them again with breasts obscured. Calvin Klein may as well have body painted these boys.
These Bitches Must Be Stopped
BPCM handles Alexander Wang, Preen, and Erin Fetherston, among other shows during Fashion Week. A source from the company told Gawker.com, "We were going through the guest lists of some of our tightest shows and saw that both Remy and Becca Shumlin were on ALL of the lists and no one knew how they got there." Tech wizards over there must have somehow determined the two had hacked into the BPCM database and added themselves to the list. When Gawker called Remy to ask if he was responsible he said yes, he was, along with Becca.
If that wasn't enough evidence to prove that these two really know what they're doing when it comes to getting into shows: They also appeared on the Sartorialist after Scott Schuman shot them at Fashion Week last season. Remy claims to have sold one of his dresses to Vogue contributor and socialite Lauren Santo Domingo. He was even snapped sitting front-row with her at the fall 2009 Brian Reyes show, looking anything but timid. In fact, they look like legitimate friends. Or cousins. Or something.
Kudos to these two for being not only brazen and fashion-hungry enough to crash the shows, but for venturing to the front row rather than cowering in the standing section. A rep from BPCM called Gawker, after their story went up today:
There's no way, she claims, that Remy and Becca could have gotten into the shows anyway: "We check our list so meticulously. I'm personally involved checking every single name on the list." She also denied our source's allegation that Remy had somehow hacked into the BPCM database. "It wasn't a hacking situation in any way shape or form. Somebody—probably an intern—tried to get them on a list, but we immediately saw it."
While we've never actually done it, we know people who have sneaked into shows fairly easily by flashing an index card and huddling past security with all the people waiting for standing section. So list-checking isn't always effective in keeping the riffraff out. And it's possible Becca actually received invitations to Wang, Preen, Cushnie et Ochs, and Erin Fetherston, as she claimed on her Twitter, perhaps they didn't "immediately" see their names on the list among many hundreds.
It was almost a perfect Fashion Week heist for the high school seniors. Becca's big mistake was sending an e-mail to BPCM asking for tickets to the Herchcovitch show before allegedly hacking the system. "I work as a freelance stylist, currently working with the future first lady, Deborah Shumlin, of Vermont for the campaign trail and hopefully elected office," Becca wrote. "In addition I have been signed on to contribute to a new fashion magazine, FUTURE." See, a political stylist doesn't go to the Herchcovitch show, of all things. And you don't even have to google "FUTURE" to know it's either made up or produced in the basement of some kid's mansion.
The kids may have been thwarted for now, but we have a feeling we'll see them at Fashion Week. They owe it to Fashion Week crashers everywhere.
Loose Threads
• Karlie Kloss, the spring 2010 face of Dior and Hermès, landed another huge campaign: Oscar de la Renta.
• Victoria Beckham isn't in a hurry to create menswear: "I think Tom Ford is doing an incredible job … but it’s not like I can’t wait to do a men’s line. I love women. I’m a real girl’s girl," she tells Giles Deacon, who interviewed her for the upcoming issue of Love magazine.
• The Limelight Marketplace, housed in the location formerly known as the Limelight nightclub, is expected to open in March with retailers such as Hunter's Boots, Le Sportsac, and Boyd's of Madison Avenue.
• The Olsens are celebrating the launch of their new Olsenboye line for JCPenney with a design contest open to aspiring designers between the ages of 13 and 21. The winner receives a trip to New York to meet the Olsens, a shopping spree at Penney's, and more.
• Cindy Crawford will launch a 40-piece line of jewelry for JCPenney this April named One Kiss. This is her second Penney's collaboration, following the launch of her home collection, Cindy Crawford Style, last year.
• Brigitte Nielsen is back in front of the camera — the 46-year-old model posed for the latest issue of Dansk magazine.
• Chanel Iman on getting started as a D.J.: "I just downloaded a thousand new songs. You have to make the playlist and research how to D ... I called up a couple of friends, and we all sat together and selected the songs [for the playlist]. I’m bringing them to the party for cover and backup. So if I have trouble, someone else will jump on the mic and help me out."
• Johnny Weir may have let his backside hang out for a photo shoot featuring a custom Rodarte jumpsuit, and now you can see more of the Rodarte custom Olympic clothes online, sans models.
Valentino’s Partner, Giancarlo Giammetti, Overshares on Facebook
Only it wasn't the insignificant kind of overshare, like "[Insert THAT FRIEND here] FINALLY KNOWS WHATS WRONG WITH HER KNEES!! The physical therapist said the distance between my knee caps and the connector bone on the shins is 3 times the distance its supposed to be. So my knee caps are way too high- causing the pain! So I get to do these painful exercises on this foam roller thing and ice and tape t...he bottom of my quad to make the putella go down and they should feel better. hopefully no surgery!" (That is a real Facebook status update from today — you can't make this stuff up.) Giancarlo wrote of the spring 2010 couture collection that just walked in Paris:
[H]e was “not sad … just surprised. … We have always supported the new designers and we love them, but this time we have to distance ourselves from this ridiculous circus.”
The response to this was overwhelming:
On Wednesday, Giammetti told WWD his observations “provoked such a mass of comments from friends on Facebook” that he was prompted to “decide to delete [the quotes] because it was becoming [too] heavy.” Giammetti concluded both he and Garavani “are always supportive of the designers of Valentino, even if we don’t approve of their effort to be cool at all costs. But we will always be [supportive] of them.” The house of Valentino declined to comment.
He may as well have left it up if he was going to say it again to WWD anyway. Although we do appreciate that, unlike most oversharers, Giancarlo freely takes down the self-indulgent posts. All you oversharers out there could learn a thing or two from him.
Introducing Louis Vuitton’s $2,000 Trash-Bag Purse
Wednesday, February 3, 2010
Team Ralph
"This time, (the USOC) wanted something that's a lot more sporty, technical-oriented, a little more relaxed," [Polo's senior vice president of advertising, marketing and corporate communications David] Lauren says.
Why dress up for Canada? It's just right there, after all. If you really feel like letting your inner Olympics geek loose, you can buy the uniforms online to wear in front of your television next Friday. The knit sweater is $425, while the fleece pants are $165 and the Denver boot is $159. Or if you're feeling broke, you can just get the snow-scene hat with little tails on it for just $75.
Empire Cruises, Cretive Director
Since 2010, Empire Cruises has offered affordable and fun private boat rentals in New York City. I lead a wonderful team that included 7 ves...
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Few names are as synonymous with “hostess” as Carolyne Roehm. A classic beauty who reigned at the top of 1980s New York society, Roehm...
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Since 2010, Empire Cruises has offered affordable and fun private boat rentals in New York City. I lead a wonderful team that included 7 ves...